No, no there's just not any way for it to happen without a serious influx of magic.
+chortles+ Absurdly slapdash covers it SO Well, doesn't it? +fistbump+
Heee, also a point, but it's just frustrating for me.
Another frustration is that, well, Maleficent wasn't terrifying anymore, and there wasn't a good reason for her not to be. I mean, unless being cut off from magic just drove her insane. I love Kristin Chenoweth to bits, but... she had no gravitas, which is soooooo far from okay with me.
Like. This is Maleficent we're talking about.
Back on the topic of how to wind up with Auradon, you've got 12th century somewhere (Sleeping Beauty) and early-18th century France (B&tB), 12th-century "Arabia" (Aladdin), 1800s India (JB), 420s China (Mulan), and 1900s London (101Dalm), 1909 midwestern America (L&tT), 1912 New Orleans (P&tF), 1930s New York (O&Co.), and gods only know which other times...
no subject
No, no there's just not any way for it to happen without a serious influx of magic.
+chortles+ Absurdly slapdash covers it SO Well, doesn't it? +fistbump+
Heee, also a point, but it's just frustrating for me.
Another frustration is that, well, Maleficent wasn't terrifying anymore, and there wasn't a good reason for her not to be. I mean, unless being cut off from magic just drove her insane. I love Kristin Chenoweth to bits, but... she had no gravitas, which is soooooo far from okay with me.
Like. This is Maleficent we're talking about.
Back on the topic of how to wind up with Auradon, you've got 12th century somewhere (Sleeping Beauty) and early-18th century France (B&tB), 12th-century "Arabia" (Aladdin), 1800s India (JB), 420s China (Mulan), and 1900s London (101Dalm), 1909 midwestern America (L&tT), 1912 New Orleans (P&tF), 1930s New York (O&Co.), and gods only know which other times...
I'm off to sleep but I'll be back tomorrow!