Maeve of Winter (
maeve_of_winter) wrote2017-07-27 08:18 pm
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Writing against type
I'm writing a fic right now that's somewhat challenging in its characterization, and it got me thinking: how do you tackle characters dealing with emotions or reacting to situations they've never come close to encountering in canon? Or them consciously choosing to change who they are as a person?
For me, my fic is a Riverdale/Archie Comics fic for the FP Jones/Kevin Keller pairing called "Second Time Around." It has FP Jones, a rough and tough gang leader in canon, now trying to step up in his role as a newly single parent, as well as trying act more like a gentleman in order to convince Kevin Keller to stay with him. It can get difficult, because the situation in itself requires FP to change from how he is in canon into someone who's more gentle and caring, so it can very easily stretch the willing suspension of disbelief.
And now I'm curious! How do you, as a writer, believably keep a character as themselves while writing about them acting differently than how they are in canon, or willingly choosing to act unlike themselves?
For me, my fic is a Riverdale/Archie Comics fic for the FP Jones/Kevin Keller pairing called "Second Time Around." It has FP Jones, a rough and tough gang leader in canon, now trying to step up in his role as a newly single parent, as well as trying act more like a gentleman in order to convince Kevin Keller to stay with him. It can get difficult, because the situation in itself requires FP to change from how he is in canon into someone who's more gentle and caring, so it can very easily stretch the willing suspension of disbelief.
And now I'm curious! How do you, as a writer, believably keep a character as themselves while writing about them acting differently than how they are in canon, or willingly choosing to act unlike themselves?
no subject
In my last couple of fandoms, I've been writing characters who are jerks or actually downright villains in canon and putting them in situations that bring out a softer, friendlier side we rarely saw, but I still try to give them plenty of openings to actually be a jerk, or be violent, so they don't come across too soft and "reformed" to be in character -- there is a whole lot of backsliding even though they're trying to be better. So that might be useful in the scenario you're writing -- either by showing that he is still like that in some ways, or by putting him in a situation that previously would've led to violence and showing that he's changed by having him back down and turn away from it.
(Think, say, that scene in the Back to the Future movies when Marty-at-the-start-of-the-movie would've accepted a challenge to drag race that might have resulted in getting hurt or killed, because he didn't want people to think he was a coward, but at the end of the movie he's put in that situation and turns it down. It's a useful trick in fanfic, too. You can put your character in a situation very similar to something they encountered in canon, and have them make a different choice, while at the same time recognizing that the "old" them would've done the other thing.)
no subject
This is useful advice, thank you! I am trying to show the character struggling to change, but sometimes I worry the change is taking place automatically. I really appreciate your perspective!
You can put your character in a situation very similar to something they encountered in canon, and have them make a different choice, while at the same time recognizing that the "old" them would've done the other thing.
This is a good tip, and now I'm going to go back through what I have of the story and see where I can use it!